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The Submission TOS is intended for producers, editors and engineers who are submitting programs for PBS broadcast. The Appendices include useful standards and a glossary of term (www.pbs.org/producers/)
Showrunners, hyphenates with projects in development, and other hyphenates may want to speak to or write letters to the Producers they are working with "to make clear that our mutual goal is to negotiate a fair and reasonable contract. We welcome their support toward that goal. (www.deadlinehollywooddaily.com....producers/)
In the last year, these hitmakers were responsible for some $2.8 billion worth of box-office grosses. Odds are, if you saw a movie in the last year, it was their handiwork (www.forbes.com....peed=10000)
This entry was postedon Saturday, February 23rd, 2008 at 06:38 02and is filed under Buzz .You can follow any responses to this entry through the RSS 2.0 feed.You can leave a response , or trackback from your own site (webstock.org.nz....t-but-how/)
US rival Newmont Mining, which owns half the Kalgoorlie Super Pit in a joint venture with Barrick, reported an annual loss of $US963 million after losing $US933 million in the fourth quarte (business.smh.com.au....=text-only)
Lihir said it would soon release the feasibility study for an expansion to 1 million ounces of production at Lihir Island in PNG. The project is expected to cost more than the pre-feasibility estimate of $US700 millio (business.smh.com.au....=text-only)
Yes. The interest in clones is primarily as breeding stock. Using conventional selective breeding efforts, animals of exceptional quality are produced only rarely. Copying these exceptional animals will permit the more rapid distribution of their naturally occurring desirable qualities to the herds of many animal producers. (www.fda.gov...._Final.htm)
Across the board, the biggest draw was its type of movie, animation. And the No. 2 reason was Seinfeld himself. "Jerry was so intrinsically linked to the movie," a Paramount insider told me today (www.deadlinehollywooddaily.com....producers/)
If you look at the amount of money that was at issue during the last writers' strike in 1988, I bet it was less than the amount the strike ended up costing all concerned. And I believe that will be the case this time around, too. (www.deadlinehollywooddaily.com....producers/)
Both sides should also keep in mind that TV ratings have fallen significantly over the last few years, and the movie box office hasn't been all that great either (www.deadlinehollywooddaily.com....producers/)
Showrunners and all WGA members should assemble drafts of every unproduced script and other literary material for the so-called "Script Validation Program". (Details here . (www.deadlinehollywooddaily.com....producers/)
There will be a captains meeting Saturday November 3rd at 1 pm. Agenda to follow. captains should plan to be on call this weekend. There will be a captains orientation session Saturday November 3rd at 11 a (www.deadlinehollywooddaily.com....producers/)
"If there is a strike, submit your scripts for validation. You have 4 days from the commencement of a strike to do this. Contract/show captains become picket captains immediately. Show up for your picket shift. Your captain will advise you where/when. Report any re-writing of your material, illegal demands, pressure to cross picket lines, etc to your picket captain. (www.deadlinehollywooddaily.com....producers/)
The magnitude of that proposal alone is blocking us from making any further progress. We cannot move further as long as that issue remains on the table. In short, the DVD issue is a complete roadblock to any further progress. (www.deadlinehollywooddaily.com....producers/)
There are pending claims with regard to electronic sell-through that will be resolved through the arbitration process. But to make any new agreement with you, residuals for the DVD market, including electronic sell-through, must be paid under the existing home video formul (www.deadlinehollywooddaily.com....producers/)
We are ready and willing to proceed to reach agreement with you. We call upon you to take the necessary steps now to break this impasse so that bargaining can continue for our mutual benefit and the good of everyone else who works in this industry." (www.deadlinehollywooddaily.com....producers/)
Today, just hours before the expiration of our contract, the AMPTP brought negotiations to a halt. The Companies refused to continue to bargain unless we agree that the hated DVD formula be extended to Internet downloads (www.deadlinehollywooddaily.com....producers/)
This morning we presented the AMPTP with a comprehensive package of proposals that included movement on DVDs, new media, and jurisdictional issues. We also took nine proposals off the table. The Companies returned six hours later and said they would not respond to our package until we capitulated to their Internet demand (www.deadlinehollywooddaily.com....producers/)
After three and a half months of bargaining, the AMPTP still has not responded to a single one of our important proposals. Every issue that matters to writers, including Internet reuse, original writing for new media, DVDs, and jurisdiction, has been ignored. This is completely unacceptable (www.deadlinehollywooddaily.com....producers/)
Despite news reports about a sour meeting where neither side budged, I've heard that yesterday 's session actually went pretty well. "WGA proposals were actually addressed, and people were pleasant," a source from the writers side told me. But after yesterday 's talks, both AMPTP"s Counter and the WGA side issued scathing statements (www.deadlinehollywooddaily.com....producers/)
Several hours later, the WGA West and WGA East issued the following statement: "We have no intention of discussing the producers â rollback proposals. Not now, not ever. (www.deadlinehollywooddaily.com....producers/)
So a showrunner was pushed out. Let's also not forget the big rainstorm and subsequent flooding in Brooklyn that stopped production on ABC's Cashmere Mafia . Or that on Fox's Back To You , Kelsey Grammar and Patricia Heaton already hate each other, so showrunner Steve Levitan is pulling his hair out. I could go on and on. (www.deadlinehollywooddaily.com....producers/)
" Meanwhile, I hear David is nervous as hell about whether his own Malibu Cape Cod-style mansion on Carbon Beach will be safe from the flames. His DreamWorks partner Jeffrey Katzenberg, whose home is also on Carbon Beach, is feeling much the same way here (www.deadlinehollywooddaily.com....producers/)
Brainstorm with Firelight Media! Find out what innovations these production pioneers came up with while they were waiting for an airdate. Trudy Williams , Outreach Coordinator, shares some of Firelight's strategies and surprises when planning outreach (www.mediarights.org....cers_1.php)
Funding in a Cold Climate What is the current funding climate? The obvious answer during this post-boom recession would appear to be: "brrrrrr". However, having worked for a media funder, I know that the situation is never so clear-cut (www.mediarights.org....cers_1.php)
Outreach Journal Brick By Brick, #1, April 2001 The first journal entry by Producer/ Director Bill Kavanagh who is starting his outreach campaign before his film is even finished. (www.mediarights.org....cers_1.php)
MediaRights.org member, Juan-Carlos Zaldivar discusses the challenges, tactics and tools of creating an outreach campaign around his award-winning personal documentary film, "90 Miles" (www.mediarights.org....cers_1.php)
The opening musical number is a sight to behold, and manages to spoof every over the top broadway production ever in the sense that everyone involved in the production, save Wilder and Mostel, take it so damn seriously. (www.amazon.com....84-7533728)
The Producers has finally gotten the DVD release it deserves, and should delight anyone who loves Mel Brooks , and perhaps win a few converts who only know him from his latter day flops(Men in Tights, I'm looking at you). Brooks had 10 great years of moviemaking in him, and he starts it out with a bang in this film. (www.amazon.com....84-7533728)
I first saw this film several years ago,but because of the substances being imbibed,i didn't recall much about it the next day-other than an over all feeling of it being very. Read mor (www.amazon.com....84-7533728)
This Mel Brooks movie is right up there with "Young Frankenstein ". Gene Wilder and Zero Mostel are hilarious together in this smart and funny comedy. The DVD transfer is good (www.amazon.com....84-7533728)
The opening musical number is a sight to behold, and manages to spoof every over the top broadway production ever in the sense that everyone involved in the production, save Wilder and Mostel, take it so damn seriousl (www.amazon.com....84-7533728)
The Producers has finally gotten the DVD release it deserves, and should delight anyone who loves Mel Brooks , and perhaps win a few converts who only know him from his latter day flops(Men in Tights, I'm looking at you). Brooks had 10 great years of moviemaking in him, and he starts it out with a bang in this film (www.amazon.com....84-7533728)
The opening musical number is a sight to behold, and manages to spoof every over the top broadway production ever in the sense that everyone involved in the production, save Wilder and Mostel, take it so damn seriously (www.amazon.com....02-7555219)
I first saw this film several years ago,but because of the substances being imbibed,i didn't recall much about it the next day-other than an over all feeling of it being very. Read more (www.amazon.com....02-7555219)
This Mel Brooks movie is right up there with "Young Frankenstein ". Gene Wilder and Zero Mostel are hilarious together in this smart and funny comedy. The DVD transfer is goo (www.amazon.com....02-7555219)
Side note: I couldn't agree more about Andrea Martin she'swonderful, and all too often wasted. That seems to be the curse ofall alumni of the brilliant and underappreciated SCTV, with thepossible exception of Eugene Levy and Catherine O'Hara (letters.salon.com....89f16.html)
The CNN reporter admits upfront he knows little about FISA and telecom amnesty and then invites McConnell to speak unchallenged, while vouching for his integrity and honesty (letters.salon.com....89f16.html)
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