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Babyfever

Actors/Actresses: Eric Roberts
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Babyfever

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Producer Judith Wolinsky died of cancer. Ms. Wolinsky was a collaborator with director Henry Jaglom. Her credits include " New Year's Day ," " Babyfever ," " Last Summer in the Hamptons " and " Déjà Vu ." (www.einsiders.com....uaries.php)

It seems the only character permitted a relatable crisis of conscience is Mark, nicely played by Jason Bateman , in the lone role of his career resurgence that doesn't require a snarky attitude. Mark isn't sure he wants a child, sucked into the vortex of Vanessa's babyfever before he was comfortable with the idea. Of course Cody rewards this behavior by turning Mark into pathetically pouty lost boy incapable of growing up and giving him lecherous intentions with our pal Juno. Any complexity the script teased us with here is kicked like a football out of the movie. (www.dvdtalk.com....p?ID=31611)

Fisher began to build her film career with roles in Tough Guys Donï¿½t Dance, Babyfever , Patty Hearst and Female Perversions . She then added starring roles opposite Clint Eastwood in the Academy Award-winning Unforgiven and True Crime to her burgeoning resume. Frances next starred in the Warner Bros. offbeat comedy The Big Tease opposite Craig Ferguson and The Rising Place for director Tom Rice , which was the Grand Prize winner of the 2001 Malibu Film Festival. The versatile actress is perhaps best known for her memorable performance as Kate Winslet ï¿½s mother in Titanic , which garnered her a Screen Actors Guild nomination as part of Best Ensemble Cast, while the film went on to receive 11 Academy Awards. In addition to her thriving movie career, Fisher has had many notable television roles. She starred as Lucille Ball in Lucy & Desi: Before the Laughter, and as Janet Bouvier in Jackie O: A Life Story, both of which were CBS productions. She recurred on the CBS comedy series Becker as Ted Danson ï¿½s love interest and on Titus for FO (wip.warnerbros.com....leyofelah/)

There are many things to be said - and a lot of critics have - to disparage the films of Henry Jaglom, with their indulgent klatches of talk, their L.A. neurotics chewing the cud of their own problems. Yet let's give Jaglom his due. In the '90s, when he began to turn his low-budget spotlight on the wishes and woes of contemporary women, pouring their dilemmas into encounter-group comedies like Eating (1990) and Babyfever (1994), he anticipated the exuberant socio-comic confusions of Sex and the City . (www.cnn.com....nn_showbiz)